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dc.contributor.authorSandin, Pär Olaeng
dc.date.accessioned2010-04-16T11:03:34Z
dc.date.available2010-04-16T11:03:34Z
dc.date.issued2007eng
dc.PublishedPhilologus (151): 207-229en
dc.identifier.issn0031-7985
dc.identifier.otheroai:frida.no:493607eng
dc.identifier.urihttps://hdl.handle.net/1956/3880
dc.description.abstractThe symmetrical inter-displacements of corresponding blocks of text between strophes and antistrophes in lyrical odes, earlier proposed for A. Supp. 88–90 ~ 93–95, 872–75 ~ 882–84, and 906–7 ~ 909–10, have affected all parts sung or spoken by the Egyptian herald in the amoibaion in Supp. 843–910. An ancestral text similar to a modern musical score, in which the corresponding lines of strophe and antistrophe run parallel with musical notation, could explain this type of corruption. Such a hypothetical ancestor in the textual tradition would also explain apparent interpolations in Supp. 852 and 865 from 842 and 843. The corruptions may have arisen very early in the tradition, the hypothetical textual arrangement possibly being that of the author himself.en_US
dc.language.isoengeng
dc.publisherAkademie Verlageng
dc.subjectAeschyluseng
dc.subjectSuppliceseng
dc.subjectTextual criticismeng
dc.subjectPalaeographyeng
dc.titleAeschylus, Supplices 86–95, 843–910, and the early transmission of antistrophic lyrical textseng
dc.typePeer reviewed
dc.typeJournal article
dc.rights.holderCopyright Akademie Verlag. All rights reserved. Reproduced with permission.
dc.rights.holderAkademie Verlageng
dc.subject.nsiVDP::Humaniora: 000::Språkvitenskapelige fag: 010::Klassisk filologi: 032


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