Film scoring today - Theory, practice and analysis

dc.contributor.author	Flach, Paula Sophie	eng
dc.date.accessioned	2012-09-20T08:44:08Z
dc.date.available	2012-09-20T08:44:08Z
dc.date.issued	2012-05-31	eng
dc.date.submitted	2012-05-31	eng
dc.identifier.uri	http://hdl.handle.net/1956/6016
dc.description.abstract	This thesis considers film scoring by taking a closer look at the theoretical discourse throughout the last decades, examining current production practice of film music and showcasing a musical analysis of the film Inception (2010).	en_US
dc.format.extent	2832219 bytes	eng
dc.format.mimetype	application/pdf	eng
dc.language.iso	eng	eng
dc.publisher	The University of Bergen	eng
dc.title	Film scoring today - Theory, practice and analysis	eng
dc.type	Master thesis	en_US
dc.rights.holder	Copyright the author. All rights reserved	en_US
dc.description.localcode	MEVI350
dc.description.localcode	MASV-MEVI
dc.subject.nus	735116	eng
fs.subjectcode	MEVI350