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dc.contributor.authorBrendefur, Thomas Gårdereng
dc.date.accessioned2013-03-08T12:21:28Z
dc.date.available2013-03-08T12:21:28Z
dc.date.issued2012-11-20eng
dc.date.submitted2012-11-20eng
dc.identifier.urihttps://hdl.handle.net/1956/6412
dc.description.abstractThis thesis will examine the articulation, significance, and changing notion of the environment in two novels by the American author Don DeLillo: White Noise (1985) and Underworld (1997). This thesis will read DeLillo's White Noise and Underworld from an ecocritical point of view in order to explore how his texts problematize postmodernity's relation to what is natural" and constructed," how damages and dangers to our environment are perceived in this context, and how a pliant use of the term landscape" can open up a literary text for these questions.en_US
dc.format.extent450934 byteseng
dc.format.mimetypeapplication/pdfeng
dc.language.isoengeng
dc.publisherThe University of Bergeneng
dc.subjectecocriticismeng
dc.subjectdon delilloeng
dc.title"The Contrails Streaked Cleanly in the High Sky" An Ecocritical Reading of Don DeLillo's White Noise and Underworldeng
dc.typeMaster thesis
dc.rights.holderCopyright the author. All rights reserved
dc.description.degreeMaster i Engelsk
dc.description.localcodeMAHF-ENG
dc.description.localcodeENG350
dc.subject.nus711124eng
fs.subjectcodeENG350


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