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Two fragments and an epigram (Pind. fr. 52A, Eur. fr. 898 K., AP 7.77)
In Pind. fr. 52a 1 read στένεα; Eur. fr. 898 is mostly spurious; in AP 7.77.2 read ζῆν.
Electronic Literature and Online Literary Databases. The PO.EX and ELMCIP Cases
This essay reflects on the shift of user interaction operated by online literary archives and databases. One can easily recognize a change of scenery happening in the current networked world, given the way authors and ...
Critical notes on Aeschylus
In Sept. 915 read δόμων μὰν (Schneider) ἀχώ || ἐπ’ αὐτούς, in 926 ἆ δυσδαίμων σφιν (or σφῷν) || τεκοῦσα. In Supp. 960 read εἰ δ’ ἐκεῖ. In Supp. 1002 read χἄλωρα κωλύονθ’ ὁμῶς μέλειν ἔρῳ: “Cypris proclaims the ripe fruit ...
How to optimalise relations between library, administration and teaching staff?
(Asociaţia Bibliotecarilor din România (ABR), 2009)
As a consequence of implementing the Quality Reform of Higher Education, the Universities and implicitly their libraries undergo a process of positive change. An edifying example to this purpose is constituted by the ...
Fra Tiqqun til Tarnac. Fransk radikalisme på 2000-tallet
(Arr - idéhistorisk tidsskrift, 2012-12)
An emendation in Hippolytus 1014
In Eur. Hipp. 1014 read ἥδιστά γ’, εἰ μὴ πᾶς φρένας διεφθάρη.
περὶ ὕψους 4.4, 9.10-11
In περὶ ὕψους 4.4, Immisch’s emendation οὐδὲν οὕτως . . . ὡς <τὸ> ἐν τοῖς ὀφθαλμοῖς ἰταμόν is correct. Τhe interjection Ἡράκλεις alludes to the fable of Heracles and the daughters of Thespius (Paus. 9.26.6–7, etc.). In ...
Making the invisible become visible: Recognizing women's relationship with technology
(International Journal of Gender, Science and Technology, 2014-08)
This discussion paper explores a new rhetoric that might help to increase our understanding of women’s relationships with information and communication technology. We have often heard the claim that women have to give up ...
Performing Fictions: Interaction and Depiction
(Fine Art Forum, 2003)
This paper presents a method for analysing an aspect of interaction that can help us understand how users can feel that they are part of a work. I argue that interaction can be a form of depiction, causing the user to ...