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dc.contributor.authorHalse, Rolf E. S.eng
dc.date.accessioned2015-05-18T12:29:34Z
dc.date.available2015-05-18T12:29:34Z
dc.date.issued2015eng
dc.identifier.issn1749-6020
dc.identifier.issn1749-6039
dc.identifier.urihttp://hdl.handle.net/1956/9894
dc.description.abstractIn the early years of the millennium racial counter-stereotypes gained prominence in Hollywood entertainment. This article examines the television serial 24’s (2001–10) efforts to combat allegations of stereotyping by including racial counter-stereotypes of Muslim characters, as the serial has been accused of stereotyping this specific group. 24’s attempts to achieve a balanced portrayal have resulted in the introduction of Muslims who feature among the regular cast and are depicted in a positive manner. Combining close analysis with critical and theoretical accounts of ‘whiteness’ and counter-stereotyping, the article centres on the key characteristics of counter-stereotypes and how they operate in 24.en_US
dc.language.isoengeng
dc.publisherManchester University Presseng
dc.subject24eng
dc.subjectcounter-stereotypeseng
dc.subjectwhitenesseng
dc.subjectTV representation of Muslimseng
dc.titleCounter-stereotypical Images of Muslim Characters in the Television Serial 24: A Difference that Makes no Difference?eng
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionacceptedVersion
dc.rights.holderCopyright: Manchester University Press. All rights reserved.en_US
dc.identifier.doihttps://doi.org/10.7227/cst.10.1.5
dc.source.4010
dc.source.141
dc.source.pagenumber54-72


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