dc.contributor.author | Welang, Nahum | |
dc.date.accessioned | 2022-02-22T08:54:33Z | |
dc.date.available | 2022-02-22T08:54:33Z | |
dc.date.created | 2021-07-31T13:23:42Z | |
dc.date.issued | 2021 | |
dc.identifier.issn | 0022-3840 | |
dc.identifier.uri | https://hdl.handle.net/11250/2980697 | |
dc.language.iso | eng | en_US |
dc.publisher | Wiley | en_US |
dc.rights | Navngivelse-Ikkekommersiell 4.0 Internasjonal | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc/4.0/deed.no | * |
dc.title | The Death and Resurrection of Oshun in Beyonc e’s Lemonade: Subverting the Institutionalized Borders of Western Christian Thought in American Popular Culture | en_US |
dc.type | Journal article | en_US |
dc.type | Peer reviewed | en_US |
dc.description.version | publishedVersion | en_US |
dc.rights.holder | Copyright 2021 The Authors | en_US |
cristin.ispublished | true | |
cristin.fulltext | original | |
cristin.qualitycode | 1 | |
dc.identifier.doi | 10.1111/jpcu.13050 | |
dc.identifier.cristin | 1923230 | |
dc.source.journal | Journal of Popular Culture | en_US |
dc.source.pagenumber | 750-770 | en_US |
dc.identifier.citation | Journal of Popular Culture. 2021, 54 (4), 750-770. | en_US |
dc.source.volume | 54 | en_US |
dc.source.issue | 4 | en_US |