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”…DISSE GUTTA SOM SELV LIKSOM HAR VOKST OPP AV LANDSKAPET.” – ARNE SKOUEN OG HANS OKKUPASJONSDRAMAER

dc.contributor.authorSørensen, Tonje Haugland
dc.date.accessioned2016-04-20T12:05:54Z
dc.date.available2016-04-20T12:05:54Z
dc.date.issued2012
dc.PublishedNordlit 2012(30):1-14eng
dc.identifier.issn1503-2086
dc.identifier.urihttps://hdl.handle.net/1956/11932
dc.description.abstractArne Skouen is often heralded as one of the clearest auteurs in Norwegian cinema, and his films about the German Occupation of Norway, 1940-45, are among the most successful and renowned within the Norwegian war film genre. This reading of these four films postulate, that within the framework of the cultural memory of the Second World War II, Skouens four war films offer a coherent and moral reflection about the war time narratives.en_US
dc.language.isonobeng
dc.publisherInstitutt for kultur, litteratur og språkvitenskap ved Fakultet for humaniora, samfunnsvitenskap og lærerutdanning, UiT Norges arktiske universiteteng
dc.rightsAttribution CC BY 3.0eng
dc.rights.urihttp://creativecommons.org/licenses/by/3.0eng
dc.subjectMemoryeng
dc.subjectArne Skoueneng
dc.subjectWorld War IIeng
dc.subjectWar filmeng
dc.title”…DISSE GUTTA SOM SELV LIKSOM HAR VOKST OPP AV LANDSKAPET.” – ARNE SKOUEN OG HANS OKKUPASJONSDRAMAEReng
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.date.updated2016-04-07T10:16:09Z
dc.description.versionpublishedVersion
dc.rights.holderCopyright 2012 Tonje Haugland Sørenseneng
dc.identifier.doihttps://doi.org/10.7557/13.2369
dc.identifier.cristin1004536
dc.subject.nsiVDP::Humaniora: 000::Film- og teatervitenskap: 170nob


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