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dc.contributor.authorYtre-Arne, Brita
dc.contributor.authorMoe, Hallvard
dc.date.accessioned2021-04-23T13:38:24Z
dc.date.available2021-04-23T13:38:24Z
dc.date.created2020-12-15T12:05:53Z
dc.date.issued2020
dc.identifier.issn0163-4437
dc.identifier.urihttps://hdl.handle.net/11250/2739391
dc.description.abstractThis article draws on the framework of “folk theories” to analyze how people perceive algorithms in the media. Taking algorithms as a prime case to investigate how people respond to datafication in everyday media use, we ask how people perceive positive and negative consequences of algorithms. To answer our question, we conduct qualitative thematic analysis of open-ended answers from a 2019 representative survey among Norwegians, identifying five folk theories: algorithms are confining, practical, reductive, intangible, and exploitative. We situate our analysis in relation to different application of folk theory approaches, and discuss our findings in light of emerging work on perceptions of algorithms and critiques of datafication, including the concept digital resignation. We conclude that rather than resignation, digital irritation emerges as a central emotional response, with a small but significant potential to inspire future political action against datafication.en_US
dc.language.isoengen_US
dc.publisherSAGEen_US
dc.rightsNavngivelse 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/deed.no*
dc.titleFolk theories of algorithms: Understanding digital irritationen_US
dc.typeJournal articleen_US
dc.typePeer revieweden_US
dc.description.versionpublishedVersionen_US
dc.rights.holderCopyright the authors 2020.en_US
cristin.ispublishedtrue
cristin.fulltextpostprint
cristin.qualitycode2
dc.identifier.doi10.1177/0163443720972314
dc.identifier.cristin1859971
dc.source.journalMedia, Culture and Societyen_US
dc.identifier.citationMedia, Culture and Society. 2020.en_US


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