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dc.contributor.authorFlattun, John-Wilhelm
dc.date.accessioned2021-08-17T10:17:47Z
dc.date.available2021-08-17T10:17:47Z
dc.date.created2021-07-27T10:17:10Z
dc.date.issued2021
dc.identifier.issn0023-3609
dc.identifier.urihttps://hdl.handle.net/11250/2768767
dc.description.abstractHow was Henry VII Tudor and his genealogical lines depicted in contemporary chronicle rolls? What determines the underlying functions realising the changing oppositional arguments in visual rhetoric? Does visual migration of familiar iconography based on collective memory make it possible to use the same images to propagate two opposite truths? In this article I examine two genealogical chronicle rolls on opposite sides in the Wars of the Roses’ later stages. The Plantagenet, Yorkist, and Tudor use of visual historiography was as much a means of political rhetoric as mythmaking and legend, to become part of the national identity and legitimate their claim to the throne. Given their place in the Wars of the Roses and their part in the formation of a state narrative, their use of familiar motifs of power and identity plays on the role myth has in the formation of history and national collective. The visual propaganda in the chronicle rolls plays on myth and history to create a shared collective belonging and a sense of agreed history or preferred truth.en_US
dc.language.isoengen_US
dc.publisherTaylor and Francisen_US
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/deed.no*
dc.titleThe Kings’ Lines and Lies: Genealogical Rolls in Mythmaking and Political Rhetoric in the Reign of Henry VIIen_US
dc.typeJournal articleen_US
dc.typePeer revieweden_US
dc.description.versionpublishedVersionen_US
dc.rights.holderCopyright 2021 The Author(s)en_US
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode2
dc.identifier.doi10.1080/00233609.2021.1950831
dc.identifier.cristin1922742
dc.source.journalKonsthistorisk tidskrift / Journal of Art Historyen_US
dc.source.pagenumber139-158
dc.identifier.citationKonsthistorisk tidskrift, 2021, 90 (3), 139-158.en_US
dc.source.volume90
dc.source.issue3


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Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal
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