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dc.contributor.authorAckermans, Hannah
dc.date.accessioned2021-11-19T08:52:16Z
dc.date.available2021-11-19T08:52:16Z
dc.date.created2021-11-18T14:25:55Z
dc.date.issued2021
dc.identifier.issn1553-1139
dc.identifier.urihttps://hdl.handle.net/11250/2830411
dc.description.abstractWith a focus on sound elements in the e-literary, Hannah Ackermans insightfully traces the role of accessibility and (dis)ability in electronic literature. Problematizing the universality of electronic literature practices and rewriting the familiar concepts (such as defamiliarization or constraint), she uses the notion of accessibility as a perspective that both proposes inclusive models of electronic literature and helps to understand creative work on a fundamental, material level.en_US
dc.language.isoengen_US
dc.publisherOpen Humanities Press and Electronic Book Reviewen_US
dc.rightsAttribution-NoDerivatives 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nd/4.0/deed.no*
dc.titleBetter with the Sound On; or, The Singularity of Reading and Writing Under Constrainten_US
dc.typeJournal articleen_US
dc.typePeer revieweden_US
dc.description.versionpublishedVersionen_US
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1
dc.identifier.cristin1956026
dc.source.journalElectronic Book Review (EBR)en_US
dc.identifier.citationElectronic Book Review (EBR). 2021.en_US


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Attribution-NoDerivatives 4.0 Internasjonal
Except where otherwise noted, this item's license is described as Attribution-NoDerivatives 4.0 Internasjonal