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dc.contributor.authorDahl, John Magnus Ragnhildson
dc.contributor.authorNærland, Torgeir Uberg
dc.date.accessioned2022-10-24T11:20:43Z
dc.date.available2022-10-24T11:20:43Z
dc.date.created2022-08-24T15:05:12Z
dc.date.issued2022
dc.identifier.issn0341-2059
dc.identifier.urihttps://hdl.handle.net/11250/3027890
dc.description.abstractThis article explores how media content may facilitate processes of recognition through playfulness and comedy. Mediated recognition is typically understood as a matter of respectful and positive representation of subaltern groups and in terms of struggles for visibility and dignity. Yet at the same time, the media address audiences in much less deferential ways that are nonetheless consequential to processes of recognition: by means of playfulness, subversion, and irreverence. This article introduces the concept of ‘playful recognition’ to account for the contradictory ways in which humor can incite recognition. The article empirically illustrates this concept drawing upon a case study of Svart Humor – a comedy show aired in Norway. On the one hand, this article explores an important yet neglected dimension of mediated recognition, on the other, it introduces a recognition perspective to the study of televised comedy.en_US
dc.language.isoengen_US
dc.publisherDe Gruyteren_US
dc.rightsNavngivelse 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/deed.no*
dc.titlePlayful recognition: Television comedy and the politics of mediated recognitionen_US
dc.typeJournal articleen_US
dc.typePeer revieweden_US
dc.description.versionpublishedVersionen_US
dc.rights.holderCopyright 2022 The Author(s)en_US
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1
dc.identifier.doi10.1515/commun-2022-0046
dc.identifier.cristin2045745
dc.source.journalCommunicationsen_US
dc.relation.projectNorges forskningsråd: 309339en_US
dc.identifier.citationCommunications. 2022en_US


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