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dc.contributor.authorKnutsen, Johan Henrikeng
dc.date.accessioned2015-11-20T12:56:40Z
dc.date.available2015-11-20T12:56:40Z
dc.date.issued2015-06-12
dc.date.submitted2015-06-12eng
dc.identifier.urihttps://hdl.handle.net/1956/10665
dc.description.abstractIn this thesis I explore the vague and hard to define musical genre that is often referred to as Americana music. I argue that part of the reason why it is so hard to define is exactly because there are a wide range of actors involved in making a musical genre, including businessmen and fans in addition to musicians. They all have different stakes in what is seen as good Americana music, and I argue that musicians themselves tend to avoid genre definition all together, in order to be able to draw from as many sources of inspiration as possible. Furthermore, I argue that music that is seen as good Americana is music that is seen as authentic. There are two main ways for Americana music to be seen as authentic, being true to the roots" and being true to oneself". The former is about being true to a musical tradition, and the latter about being true to one's own creative instincts and integrity.en_US
dc.format.extent1030485 byteseng
dc.format.mimetypeapplication/pdfeng
dc.language.isoengeng
dc.publisherThe University of Bergeneng
dc.subjectAmericana musiceng
dc.subjectcountry musiceng
dc.subjectauthenticityeng
dc.subjectcharacterize fanseng
dc.subjectcharacterize musicianseng
dc.titleAmericana. Nostalgia through Tradition and Self-Expression in Musiceng
dc.typeMaster thesisen_US
dc.rights.holderCopyright the author. All rights reserved.en_US
dc.description.degreeMaster i Sosialantropologi
dc.description.localcodeSANT350
dc.description.localcodeMASV-SANT
dc.subject.nus738106eng
fs.subjectcodeSANT350


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