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dc.contributor.authorMoggi, Mauro
dc.date.accessioned2020-10-26T13:01:50Z
dc.date.available2020-10-26T13:01:50Z
dc.date.issued2005
dc.PublishedIn: Østby, E. (ed.), Ancient Arcadia 2005: 139-150en_US
dc.identifier.isbn82-91626-25-1
dc.identifier.issn1105-4204
dc.identifier.urihttps://hdl.handle.net/1956/24348
dc.descriptionPapers from the third international seminar on Ancient Arcadia, held at the Norwegian Institute at Athens, 7-10 May 2002en_US
dc.description.abstractPausanias' account which links the epiklesis Gynaikothoinas, assigned to Ares in Tegea, with a Tegean victory over the Spartans, obtained thanks to the essential contribution of the women lead by Marpessa, called Choira, is clearly of aetiological nature. What is represented here is a situation of inversion, the female element having exceptionally taken possession of a war god (Ares), specific functions (war and celebration of sacrifice) and also a site (the agora) usually reserved for males. Recentinterpretations are inclined to explain Ares as a god of fecundity, or suggest for women a role they never played in warfare. Far more plausible and convincing, however, is the idea that Pausanias' account implies a reversal of the ordinary, in which Ares still maintains his characteristics of a war god.en_US
dc.language.isoitaen_US
dc.publisherThe Norwegian Institute at Athensen_US
dc.relation.ispartofseriesPapers of the Norwegian Institute at Athensen_US
dc.relation.ispartofseries8en_US
dc.rightsCopyright The Norwegian Institute at Athens. All rights reserved.en_US
dc.titleMarpessa detta Choira e Ares Gynaikothoinasen_US
dc.typeChapteren_US
dc.subject.nsiVDP::Humaniora: 000::Teologi og religionsvitenskap: 150::Religionsvitenskap, religionshistorie: 153en_US


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