dc.contributor.author | Moggi, Mauro | |
dc.date.accessioned | 2020-10-26T13:01:50Z | |
dc.date.available | 2020-10-26T13:01:50Z | |
dc.date.issued | 2005 | |
dc.Published | In: Østby, E. (ed.), Ancient Arcadia 2005: 139-150 | en_US |
dc.identifier.isbn | 82-91626-25-1 | |
dc.identifier.issn | 1105-4204 | |
dc.identifier.uri | https://hdl.handle.net/1956/24348 | |
dc.description | Papers from the third international seminar on Ancient Arcadia, held at the Norwegian Institute at Athens, 7-10 May 2002 | en_US |
dc.description.abstract | Pausanias' account which links the epiklesis Gynaikothoinas, assigned to Ares in Tegea, with a Tegean victory over the Spartans, obtained thanks to the essential contribution of the women lead by Marpessa, called Choira, is clearly of aetiological nature. What is represented here is a situation of inversion, the female element having exceptionally taken possession of a war god (Ares), specific functions (war and celebration of sacrifice) and also a site (the agora) usually reserved for males. Recentinterpretations are inclined to explain Ares as a god of fecundity, or suggest for women a role they never played in warfare. Far more plausible and convincing, however, is the idea that Pausanias' account implies a reversal of the ordinary, in which Ares still maintains his characteristics of a war god. | en_US |
dc.language.iso | ita | en_US |
dc.publisher | The Norwegian Institute at Athens | en_US |
dc.relation.ispartofseries | Papers of the Norwegian Institute at Athens | en_US |
dc.relation.ispartofseries | 8 | en_US |
dc.rights | Copyright The Norwegian Institute at Athens.
All rights reserved. | en_US |
dc.title | Marpessa detta Choira e Ares Gynaikothoinas | en_US |
dc.type | Chapter | en_US |
dc.subject.nsi | VDP::Humaniora: 000::Teologi og religionsvitenskap: 150::Religionsvitenskap, religionshistorie: 153 | en_US |