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dc.contributor.authorGaltung, Ingrideng
dc.date.accessioned2010-09-06T11:37:26Z
dc.date.available2010-09-06T11:37:26Z
dc.date.issued2010-06-01eng
dc.date.submitted2010-06-01eng
dc.identifier.urihttps://hdl.handle.net/1956/4089
dc.description.abstractThis thesis calls for a reevaluation of H.D.'s prose oeuvre through a close reading of the novel Her. As H.D.'s prose texts were discovered in the late seventies, they were read as manifestations of a feminist modernism that contested the male-dominated canon. This reading shifts the attention from H.D.'s position as a female artist to her text. Through the prism of Hélène Cixous's subject at risk" and Julia Kristeva's subject-in-process/on-trial," I explore the making of the female subject that H.D. creates in her narrative. By focusing on the novel's presentation of becoming, I present Her as an engaging, processual text that rejects its feminist label and invites continuous inquiry.en_US
dc.format.extent975843 byteseng
dc.format.mimetypeapplication/pdfeng
dc.language.isoengeng
dc.publisherThe University of Bergeneng
dc.titleBecoming HERmione. An exploration of the process of subjectivity in H.D.'s Hereng
dc.typeMaster thesis
dc.rights.holderCopyright the author. All rights reserved
dc.rights.holderThe authoreng
dc.description.degreeMaster i Engelsk
dc.description.localcodeMAHF-ENG
dc.description.localcodeENG350
dc.subject.nus711124eng
dc.subject.nsiVDP::Humaniora: 000::Litteraturvitenskapelige fag: 040::Engelsk litteratur: 043
fs.subjectcodeENG350


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