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dc.contributor.authorBagge, Sverreeng
dc.date.accessioned2005-04-22T13:52:30Z
dc.date.available2005-04-22T13:52:30Z
dc.date.issued1996eng
dc.PublishedJournal of Medieval History 22(4): 345-377
dc.identifier.issn0304-4181
dc.identifier.urihttps://hdl.handle.net/1956/653
dc.description.abstractThis article discusses the inner coherence of Otto of Freising's Gesta Frederici and, by implication, the wider question of the ‘mode of perception’ in medieval historiography. Is there any connection between the philosophical and theological reflections expressed in digressions and explicit statements, and the apparently scattered and disconnected entries in his narrative? The answer to this question is positive. Gesta Frederici is carefully composed around a number of key episodes, connected to one another on the allegorical and typological level, which bring out Otto's central message about Frederick restoring the right order of the world. Book I describes the crisis in Church and Empire while Book II shows how Frederick heals this crisis by bringing peace in the Empire, governing in close cooperation with the princes, and uniting pope and emperor in close friendship for the benefit of the Church.en_US
dc.format.extent4344893 byteseng
dc.format.mimetypeapplication/pdfeng
dc.language.isoengeng
dc.publisherElsevier Scienceeng
dc.titleIdeas and narrative in Otto of Freising`s Gesta Fredericieng
dc.typeJournal articleeng
dc.typePeer reviewedeng
dc.rights.holderCopyright 1996 Elsevier Science
dc.identifier.doihttps://doi.org/10.1016/s0304-4181(96)00019-x


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