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Film scoring today - Theory, practice and analysis

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dc.contributor.author Flach, Paula Sophie
dc.date.accessioned 2012-09-20T08:44:08Z
dc.date.available 2012-09-20T08:44:08Z
dc.date.issued 2012-05-31
dc.date.submitted 2012-05-31 en
dc.identifier.uri http://hdl.handle.net/1956/6016
dc.description.abstract This thesis considers film scoring by taking a closer look at the theoretical discourse throughout the last decades, examining current production practice of film music and showcasing a musical analysis of the film Inception (2010). eng
dc.format.extent 2832219 bytes en
dc.format.mimetype application/pdf en
dc.language.iso eng eng
dc.publisher The University of Bergen eng
dc.rights Copyright the author. All rights reserved eng
dc.title Film scoring today - Theory, practice and analysis eng
dc.type Master thesis eng
dc.type.degree Master en
dc.type.course MEVI350 eng
dc.subject.archivecode Mastergrad en
dc.subject.nus 735116 en
dc.type.program MASV-MEVI eng


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