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dc.contributor.authorFlach, Paula Sophieeng
dc.date.accessioned2012-09-20T08:44:08Z
dc.date.available2012-09-20T08:44:08Z
dc.date.issued2012-05-31eng
dc.date.submitted2012-05-31eng
dc.identifier.urihttp://hdl.handle.net/1956/6016
dc.description.abstractThis thesis considers film scoring by taking a closer look at the theoretical discourse throughout the last decades, examining current production practice of film music and showcasing a musical analysis of the film Inception (2010).eng
dc.format.extent2832219 byteseng
dc.format.mimetypeapplication/pdfeng
dc.language.isoengeng
dc.publisherThe University of Bergeneng
dc.titleFilm scoring today - Theory, practice and analysiseng
dc.typeMaster thesiseng
dc.type.degreeMasternob
dc.type.courseMEVI350eng
dc.subject.archivecodeMastergradeng
dc.subject.nus735116eng
dc.type.programMASV-MEVIeng
dc.rights.holderCopyright the author. All rights reserved


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