dc.contributor.author | Galtung, Ingrid | eng |
dc.date.accessioned | 2010-09-06T11:37:26Z | |
dc.date.available | 2010-09-06T11:37:26Z | |
dc.date.issued | 2010-06-01 | eng |
dc.date.submitted | 2010-06-01 | eng |
dc.identifier.uri | https://hdl.handle.net/1956/4089 | |
dc.description.abstract | This thesis calls for a reevaluation of H.D.'s prose oeuvre through a close reading of the novel Her. As H.D.'s prose texts were discovered in the late seventies, they were read as manifestations of a feminist modernism that contested the male-dominated canon. This reading shifts the attention from H.D.'s position as a female artist to her text. Through the prism of Hélène Cixous's subject at risk" and Julia Kristeva's subject-in-process/on-trial," I explore the making of the female subject that H.D. creates in her narrative. By focusing on the novel's presentation of becoming, I present Her as an engaging, processual text that rejects its feminist label and invites continuous inquiry. | en_US |
dc.format.extent | 975843 bytes | eng |
dc.format.mimetype | application/pdf | eng |
dc.language.iso | eng | eng |
dc.publisher | The University of Bergen | eng |
dc.title | Becoming HERmione. An exploration of the process of subjectivity in H.D.'s Her | eng |
dc.type | Master thesis | |
dc.rights.holder | Copyright the author. All rights reserved | |
dc.rights.holder | The author | eng |
dc.description.degree | Master i Engelsk | |
dc.description.localcode | MAHF-ENG | |
dc.description.localcode | ENG350 | |
dc.subject.nus | 711124 | eng |
dc.subject.nsi | VDP::Humaniora: 000::Litteraturvitenskapelige fag: 040::Engelsk litteratur: 043 | |
fs.subjectcode | ENG350 | |