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dc.contributor.authorSillars, Stuart
dc.date.accessioned2016-07-05T08:41:59Z
dc.date.available2016-07-05T08:41:59Z
dc.date.issued2010
dc.PublishedEarly Modern Culture Online 2010(1):1-11eng
dc.identifier.issn1892-0888
dc.identifier.urihttps://hdl.handle.net/1956/12258
dc.description.abstractThis article provides a conceptual introduction to the notion of Framing and functions as an introduction. n Framing the Sign, Jonathan Culler privileges the term frame over context (ix). Culler states that framing a work of literature implies literary analysis whereby the agency of the critic determines the meaning of that work, whereas context is something that is already given. While frame invites the interpretations of complexities separate from the surrounding space in which the work of literature exists, context directs us “to slip back into the model it proposes’; it thus simplifies analysis because it presumes that some of the meaning in the work of art is already known.en_US
dc.language.isoengeng
dc.publisherEMRGeng
dc.rightsAttribution CC BYeng
dc.rights.urihttp://creativecommons.org/licenses/by/3.0/eng
dc.titleFraming the Frame: Shakespeare and the Cadreeng
dc.typePeer reviewed
dc.typeJournal article
dc.date.updated2016-04-11T05:59:33Z
dc.description.versionpublishedVersion
dc.rights.holderCopyright 2010 The Authorseng
dc.identifier.cristin531277
dc.subject.nsiVDP::Humaniora: 000::Litteraturvitenskapelige fag: 040::Engelsk litteratur: 043
dc.subject.nsiVDP::Humanities: 000::Literature: 040::English literature: 043


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