dc.contributor.author | Halse, Rolf E. S. | eng |
dc.date.accessioned | 2015-05-18T12:29:34Z | |
dc.date.available | 2015-05-18T12:29:34Z | |
dc.date.issued | 2015 | eng |
dc.identifier.issn | 1749-6020 | |
dc.identifier.issn | 1749-6039 | |
dc.identifier.uri | http://hdl.handle.net/1956/9894 | |
dc.description.abstract | In the early years of the millennium racial counter-stereotypes gained prominence in Hollywood entertainment. This article examines the television serial 24’s (2001–10) efforts to combat allegations of stereotyping by including racial counter-stereotypes of Muslim characters, as the serial has been accused of stereotyping this specific group. 24’s attempts to achieve a balanced portrayal have resulted in the introduction of Muslims who feature among the regular cast and are depicted in a positive manner. Combining close analysis with critical and theoretical accounts of ‘whiteness’ and counter-stereotyping, the article centres on the key characteristics of counter-stereotypes and how they operate in 24. | en_US |
dc.language.iso | eng | eng |
dc.publisher | Manchester University Press | eng |
dc.subject | 24 | eng |
dc.subject | counter-stereotypes | eng |
dc.subject | whiteness | eng |
dc.subject | TV representation of Muslims | eng |
dc.title | Counter-stereotypical Images of Muslim Characters in the Television Serial 24: A Difference that Makes no Difference? | eng |
dc.type | Peer reviewed | en_US |
dc.type | Journal article | en_US |
dc.description.version | acceptedVersion | |
dc.rights.holder | Copyright: Manchester University Press. All rights reserved. | en_US |
dc.identifier.doi | https://doi.org/10.7227/cst.10.1.5 | |
dc.source.40 | 10 | |
dc.source.14 | 1 | |
dc.source.pagenumber | 54-72 | |