E-Borges: Stuart Moulthrop’s Victory Garden

dc.contributor.author	Seiça, Álvaro	eng
dc.date.accessioned	2014-12-17T11:06:32Z
dc.date.available	2014-12-17T11:06:32Z
dc.date.issued	2012	eng
dc.identifier.issn	0874-1409
dc.identifier.uri	https://hdl.handle.net/1956/8952
dc.description.abstract	This essay analyses Stuart Moulthrop’s Victory Garden (1991), a singular hyperfiction within the context of hypertextual narratives released during the 90s. Taking into consideration the campus novel and anti-war novel themes, I focus my reading on the technological mediation of war and the intertextualization of Jorge Luis Borges’ short story “El Jardín de Senderos que se Bifurcan” (1941). Therefore, I argue that Victory Garden is an appropriation and recreation, via a digital medium, of several Borgesian motifs and his beloved metaliterary theme: the labyrinth.	en_US
dc.language.iso	eng	eng
dc.publisher	APEAA	eng
dc.subject	Electronic literature	eng
dc.subject	hyperfiction	eng
dc.subject	Stuart Moulthrop	eng
dc.subject	Victory Garden	eng
dc.subject	Jorge Luis Borges	eng
dc.title	E-Borges: Stuart Moulthrop’s Victory Garden	eng
dc.type	Peer reviewed
dc.type	Journal article
dc.date.updated	2014-12-17T10:54:20Z
dc.description.version	publishedVersion
dc.rights.holder	Copyright 2014 The Authors
dc.identifier.cristin	1113473
dc.source.journal	Op. Cit.: A Journal of Anglo-American Studies
dc.source.40	II (1)
dc.source.pagenumber	130-141