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dc.contributor.authorKiilerich, Bente
dc.contributor.authorTorp, Hjalmar
dc.date.accessioned2021-05-06T09:00:51Z
dc.date.available2021-05-06T09:00:51Z
dc.date.created2020-03-29T14:33:27Z
dc.date.issued2020
dc.PublishedAntiquité Tardive. 2020, 27, 2019 321-332.
dc.identifier.issn1250-7334
dc.identifier.urihttps://hdl.handle.net/11250/2753861
dc.descriptionUnder embargo until: 2022-01-01en_US
dc.description.abstractIn the monastery of Apa Apollô at Bawit, paintings imitating textiles decorate the walls in many of the chapels excavated by Jean Clédat (1901-1902, 1903-1905) and Jean Maspero (1913). These textile imitations, situated below the figural representations, display various stylized floral and vegetal designs arranged in regular lozenge formations (diaper patterns). Some tapestries are laid out as framed panels, giving the impression of wallpaper; others are rendered as curtains (vela) suspended from rods and rings. In addition, there are a few instances of painted friezes with floral ornaments. Such imagery with nonfigural representation is often interpreted as purely ornamental; still, we argue here that the tapestries painted in the chapels at Bawit had religious and theological significance.en_US
dc.language.isofreen_US
dc.publisherBrepols Publishersen_US
dc.rightsNavngivelse-Ikkekommersiell 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/deed.no*
dc.titleLes tentures fleuries peintes à Baouîten_US
dc.typeJournal articleen_US
dc.typePeer revieweden_US
dc.description.versionacceptedVersionen_US
dc.rights.holderCopyright 2020 Brepols Publishersen_US
cristin.ispublishedtrue
cristin.fulltextpostprint
cristin.qualitycode2
dc.identifier.doihttps://doi.org/10.1484/J.AT.5.119558
dc.identifier.cristin1804110
dc.source.journalAntiquité Tardiveen_US
dc.source.4027, 2019
dc.source.pagenumber321-332en_US
dc.identifier.citationAntiquité Tardive. 2019, 27, 321-332en_US
dc.source.volume27en_US


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Navngivelse-Ikkekommersiell 4.0 Internasjonal
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