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dc.contributor.authorGargiulo, Marco
dc.description.abstractIn this paper, I would like to present an analysis of the social environment of language contact in Italy exploring how historically the language policy in the era of fascism produced a complex idea of the Italian language community. I will use the notions of spatiality, glottophagy and camouflage to indicate, describe and analyse how this came to be and still is the case, and I will try to contextualize this process in the fascist history of Italy. In the second part, I will focus on the relationship between language, space and society as represented in Italian cinema, unpacking the relationships between fascism and Italian language policy and the language structured by socioeconomic and cultural conflicts. Discussing the language structure in three cinematic cases, I want to demonstrate how Italian cinema has interpreted the relationship between different languages and conflict in the repertoire in the moment when social conflict started to be filmed by some film directors at the end of the Second World War.en_US
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internasjonal*
dc.titleLanguage conflict, glottophagy and camouflage in the Italian cinematic cityen_US
dc.typeJournal articleen_US
dc.typePeer revieweden_US
dc.rights.holderCopyright 2021 The Author(s)en_US
dc.source.journalGlobe: A Journal of Language, Culture and Communicationen_US
dc.subject.nsiVDP::Filmvitenskap: 171en_US
dc.subject.nsiVDP::Film studies: 171en_US
dc.subject.nsiVDP::Filmvitenskap: 171en_US
dc.subject.nsiVDP::Film studies: 171en_US
dc.identifier.citationGlobe: A Journal of Language, Culture and Communication. 2021, 12, 117-130en_US

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Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivatives 4.0 Internasjonal