| dc.contributor.author | Hyldig, Keld | |
| dc.date.accessioned | 2022-11-02T13:18:43Z | |
| dc.date.available | 2022-11-02T13:18:43Z | |
| dc.date.created | 2005-01-18T14:32:27Z | |
| dc.date.issued | 1997 | |
| dc.identifier.issn | 0904-6380 | |
| dc.identifier.uri | https://hdl.handle.net/11250/3029622 | |
| dc.language.iso | eng | en_US |
| dc.publisher | Association for Nordic Theatre Scholars | en_US |
| dc.subject | Norsk teaterhistorie | en_US |
| dc.subject | Norwegian theatre history | en_US |
| dc.subject | Ibsen | en_US |
| dc.title | Symbolic and Allegoric Approaches to Ibsen: Two "Golden Age" Productions of Rosmersholm | en_US |
| dc.type | Journal article | en_US |
| dc.type | Peer reviewed | en_US |
| dc.description.version | publishedVersion | en_US |
| dc.rights.holder | Copyright the author and Nordic Theatre Studies | en_US |
| cristin.ispublished | true | |
| cristin.fulltext | original | |
| cristin.qualitycode | 2 | |
| dc.identifier.cristin | 423541 | |
| dc.source.journal | Nordic Theatre Studies | en_US |
| dc.source.pagenumber | 51-73 | en_US |
| dc.identifier.citation | Nordic Theatre Studies. 1997, 10, 51-73. | en_US |
| dc.source.volume | 10 | en_US |
