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dc.contributor.authorBakke, Jørgen
dc.date.accessioned2022-12-12T12:20:42Z
dc.date.available2022-12-12T12:20:42Z
dc.date.created2022-11-29T12:59:07Z
dc.date.issued2022
dc.identifier.issn2451-3474
dc.identifier.urihttps://hdl.handle.net/11250/3037252
dc.description.abstractThis article shows how the descriptions of paintings (Imagines) by the ancient Greek author Philostratus (third century AD) can be viewed as pedagogical tools in the introduction to higher education. Philostratus presented his descriptions in the context of a tour in a picture gallery for young students. In the study presented here, the pedagogical context is taken seriously. With the means of three examples, the study shows how Philostratus uses his descriptions to guide his students into the interpretation of paintings, agriculture, and astronomy. Rather than simply present exemplary rhetorical descriptions of paintings as one would expect a rhetorical teacher to do, Philostratus uses paintings as pedagogical working tables where students can view simplified versions of complex fields of knowledge, an approach that is not unlike the visual presentation of introductory knowledge on old-fashioned cardboard wallcharts in modern schools.en_US
dc.language.isoengen_US
dc.publisherDe Gruyteren_US
dc.rightsNavngivelse 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/deed.no*
dc.titlePainting, interpretation, education: Tables of knowledge in the imagines of Philostratus the Athenianen_US
dc.typeJournal articleen_US
dc.typePeer revieweden_US
dc.description.versionpublishedVersionen_US
dc.rights.holderCopyright 2022 The Author(s)en_US
cristin.ispublishedtrue
cristin.fulltextoriginal
cristin.qualitycode1
dc.identifier.doi10.1515/culture-2022-0158
dc.identifier.cristin2083976
dc.source.journalOpen Cultural Studiesen_US
dc.source.pagenumber280-293en_US
dc.identifier.citationOpen Cultural Studies. 2022, 6 (1), 280-293.en_US
dc.source.volume6en_US


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