Film scoring today - Theory, practice and analysis
dc.contributor.author | Flach, Paula Sophie | eng |
dc.date.accessioned | 2012-09-20T08:44:08Z | |
dc.date.available | 2012-09-20T08:44:08Z | |
dc.date.issued | 2012-05-31 | eng |
dc.date.submitted | 2012-05-31 | eng |
dc.identifier.uri | http://hdl.handle.net/1956/6016 | |
dc.description.abstract | This thesis considers film scoring by taking a closer look at the theoretical discourse throughout the last decades, examining current production practice of film music and showcasing a musical analysis of the film Inception (2010). | en_US |
dc.format.extent | 2832219 bytes | eng |
dc.format.mimetype | application/pdf | eng |
dc.language.iso | eng | eng |
dc.publisher | The University of Bergen | eng |
dc.title | Film scoring today - Theory, practice and analysis | eng |
dc.type | Master thesis | en_US |
dc.rights.holder | Copyright the author. All rights reserved | en_US |
dc.description.localcode | MEVI350 | |
dc.description.localcode | MASV-MEVI | |
dc.subject.nus | 735116 | eng |
fs.subjectcode | MEVI350 |