dc.contributor.author | Rettberg, Jill Walker | |
dc.date.accessioned | 2021-08-10T08:20:36Z | |
dc.date.available | 2021-08-10T08:20:36Z | |
dc.date.created | 2020-05-23T14:45:05Z | |
dc.date.issued | 2021 | |
dc.identifier.issn | 0022-3840 | |
dc.identifier.uri | https://hdl.handle.net/11250/2767120 | |
dc.language.iso | eng | en_US |
dc.publisher | Wiley | en_US |
dc.relation.uri | https://onlinelibrary.wiley.com/doi/full/10.1111/jpcu.13015 | |
dc.rights | Navngivelse-Ikkekommersiell 4.0 Internasjonal | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc/4.0/deed.no | * |
dc.subject | Digital kultur | en_US |
dc.subject | Digital Culture | en_US |
dc.subject | Sosiale medier | en_US |
dc.subject | Social media | en_US |
dc.subject | Narratologi | en_US |
dc.subject | Narratology | en_US |
dc.title | “Nobody Is Ever Alone”: The Use of Social Media Narrative to Include the Viewer in SKAM | en_US |
dc.type | Journal article | en_US |
dc.type | Peer reviewed | en_US |
dc.description.version | publishedVersion | en_US |
dc.rights.holder | Copyright 2021 The Authors | en_US |
cristin.ispublished | false | |
cristin.fulltext | original | |
cristin.qualitycode | 1 | |
dc.identifier.doi | https://doi.org/10.1111/jpcu.13015 | |
dc.identifier.cristin | 1812237 | |
dc.source.journal | Journal of Popular Culture | en_US |
dc.source.pagenumber | 232-256 | en_US |
dc.subject.nsi | VDP::Humaniora: 000 | en_US |
dc.subject.nsi | VDP::Humanities: 000 | en_US |
dc.identifier.citation | Journal of Popular Culture. 2021, 54 (2), 232-256. | en_US |
dc.source.volume | 54 | en_US |
dc.source.issue | 2 | en_US |